Must Have Classic Recordings (2017)

Bossi, Mahler, Rimsky Korsakov, Paganini, Schubert, Beethoven, Mozart, Bach

I Musici, Filarmonica Teatro Regio Torino, Uto Ughi, Quartetto Accardo, Salvatore Accardo, Charles Rosen, Rocco Filippini

Gianandrea Noseda, Uto Ughi, Salvatore Accardo

A variety of artists, ensembles and orchestras offer music from Bach (Cello Suite), via Schubert (String Quartet) to Mahler (Symphony). Altogether, as the album's title implies: Must Have Classic Recordings.

As no editing has been made, all the tracks on this record are heard as they were performed.

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Salvatore Accardo

Salvatore Accardo; born September 26, 1941 in Turin, northern Italy) is an Italian violin virtuoso and conductor.Accardo studied violin in the southern Italian city of Naples in the 1950s. He gave his first professional recital at the age of 13 performing Paganini's Capricci. In 1956 Accardo won the Geneva Competition and in 1958 became the first prize winner of the Paganini Competition in Genoa.
He has recorded Paganini's 24 Caprices (re-recorded in 1999) for solo violin and was the first to record all six of the Paganini Violin Concertos. He has an extensive discography of almost 50 recordings on Philips, DG, EMI, Sony Classical, Foné, Dynamic, and Warner-Fonit. Notably, he has recorded an album of classical and contemporary works in 1995 on Paganini's Guarneri del Gesù 1742 violin, the "Canon".
Accardo founded the Accardo Quartet in 1992 and he was one of the founders of the Walter Stauffer Academy in 1986. He founded the Settimane Musicali Internazionali in Naples and the Cremona String Festival in 1971, and in 1996, he re-founded the Orchestra da Camera Italiana (O.C.I.), whose members are the best pupils of the Walter Stauffer Academy. He performed the music of Paganini for the soundtrack of the 1989 film Kinski Paganini. In the 1970s he was a member of the celebrated Italian chamber orchestra "I Musici".
Accardo owns one Stradivarius violin, the "Hart ex Francescatti" (1727) and had the "Firebird ex Saint-Exupéry" (1718).

 

 

Gianandrea Noseda

Gianandrea Noseda is widely recognized as one of the leading conductors of his genera­tion. He is Musical America’s 2015 Conductor of the Year.

Gianandrea Noseda’s appointment as Music Director of the Teatro Regio Torino in 2007 ushered in a transformative era for the company: his initiatives have propelled the Teatro Regio Torino onto the global stage, where it has become one of Italy’s most important cultural exports. Under his leadership the Teatro Regio Torino has launched its first tours outside of Torino with performances in Austria, China, France, Germany, Japan and Russia. In August 2014 Gianandrea Noseda brought the Teatro Regio Torino to the Edinburgh Festival for its United Kingdom debut. In December 2014 he also led the Teatro Regio Torino in a historic first, and critically acclaimed, tour of North America with concert per­formances of William Tell in Chicago (Harris Theater), Toronto (Roy Thomson Hall), New York (Carnegie Hall) and Ann Arbor, Michigan (University Musical Society).

Gianandrea Noseda is Principal Guest Conductor of the Israel Philharmonic Orchestra since 2011, he has performed with the orchestra in Israel and has led a successful seven cities tour in the US in spring 2014. He is also Principal Conductor of the Orquestra de Cadaqués and Artistic Director of the Stresa Festival (Italy). He was at the helm of the BBC Philharmonic from 2002 to 2011. In 1997 he was appointed the first foreign Princi­pal Guest Conductor of the Mariinsky Theatre, a position he held for a decade.

I Musici

In 1951, twelve young and promising italian musicians, mainly roman and mostly graduates of the at the Accademia di Santa Cecilia in Rome, got together "inter pares" to create a unique chamber orchestra comprising six violins, two violas, two cellos, one double bass and one harpsichord.
They chose the simple, yet nice, name I MUSICI and they deliberately decided to shape the ensemble without conductor. They did so in order to create an egalitarian relationship among the twelve colleagues and friends, which would bring to their music-making a unanimity on technical and interpretative questions. It was a very unconventional but unexpectedly suitable procedure. Notably, maestro Arturo Toscanini, on hearing them rehearsing in April 1952 at the Italian Radio studios, enthused over the young orchestra in front of journalists and musical personalities, and dedicated his photograph to the group with the words “bravi, bravissimi …no! la musica non muore”, (bravo, the music will not die).
A few weeks earlier, on the 30th of March 1952, their public debut was an enormous success at the Accademia di Santa Cecilia in Roma; it was the starting point of an astonishing career, which in a schort time catapulted them among the ranks of the great international performers.
During the course of the years, the musicians have changed, the original members of the group retired but, together with the younger talent that has taken their place, there has always been a generation of “historic” members present who guarantee the tradition and continuity of the orchestra.
At present I Musici are regular guests at the most important international festivals and they carry out an intense concert activity in prestigious theatres and concert halls such as: “G Enescu” International Festival in Bucharest, Colon Theatre in Buenos Aires, Carnegie Hall and Lincoln Centre in New York, the “Spring Festival” in Budapest, Sunthory Hall and Opera City in Tokyo, the Musikverein in Vienna, the Philharmonie in Berlin, Palau de la Musica in Barcelona, Seoul Arts Centre, Boston Symphony Hall, Shanghai Concert Hall, Beijing National centre for the Performing Arts and numerous others.

 

Rocco Filippini

Son of Felice Filippini (painter, writer and broadcaster) and of the pianist Dafne Salati, Rocco Filippini began his musical training at an early age. Of decisive importance was his meeting with Pierre Fournier who became his teacher along with Professor Franz Walter of the Geneva Conservatory. It was from the Geneva Conservatory that Rocco Filippini received his diploma at the age of 17, being awarded the Premier Prix de Virtuosité, an accolade not given for the previous 36 years. He continued to perfect his playing with his teachers, who came to include the violinist Corrado Romano. At the age of 23 he won the Geneva International Music Competition and embarked on his performing career.

With a wide musical repertory, from Baroque to contemporary works, Rocco Filippini has played in the main concert halls of Europe, North and South America, Australia and Japan, and at numerous well-known festivals. In 1968 with Bruno Canino and Cesare Ferraresi he founded the Trio di Milano, which was subsequently joined by the violinistMariana Sîrbu. He was a founder member In 1992 of the Quartetto Accardo. He has performed in numerous concerts at the La Scala theatre in Milan, where he has played in recitals with cello and piano, performed the György Ligeti concerto with the Scala Philarmonic Orchestra, and taken part in many chamber music concerts, often in association with Maurizio Pollini, with whom he has performed concert programmes for several jears in Rome, London, Tokyo and New York, and at the Rossini Opera Festival in Pesaro and Salzburg festivals. At the Salzburg Festival in 2002 he premièred Fabio Vacchi’s Tre Veglie, with Anna Caterina Antonacci, accompanied by theOrchestre de Paris conducted by Ivan Fischer.

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Must Have Classic Recordings (2017)

Bossi, Mahler, Rimsky Korsakov, Paganini, Schubert, Beethoven, Mozart, Bach

I Musici, Filarmonica Teatro Regio Torino, Uto Ughi, Quartetto Accardo, Salvatore Accardo, Charles Rosen, Rocco Filippini

Cables: Signoricci
Digital Converters: dCS
Microphones: Neumann U47, U48, M49 Valve (Tube) Microphones - Mic Preamplifiers: Signoricci
Producer: Giulio Cesare Ricci
Recording Engineer: Giulio Cesare Ricci
Recording Software: Pyramix

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SACD186: Must Have Classic Recordings
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Tracks.
1.
Suite I BWV 1007
Bach
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2.
Sonata in A minor KV 310.300d - I Allegro maestoso
Mozart
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3.
Romanza per violino e orchestra n?1 in sol magg. Op.40
Beethoven
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4.
Quartett G-dur D887 in sol maggiore, scherzo (Allegro Vivace
Schubert
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5.
Concero in Re Min. n?4 per violino e orchestra - I Allegro maestoso
Paganini
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6.
Sheherazade - Suite sinfonica op. 35 - Largo e maestoso - Lento -
Rimsky Korsakov
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7.
Symphonie nr.2, allegro maestoso
Mahler
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8.
Intermezzi Goldoniani op. 127 1. Preludio e Minuetto
Bossi
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