Traditional, Biber, Vivaldi, Haydn, Mendelssohn, Mozart, Chopin, Rota, Massenet, Puccini

Orchestra da Camera Italiana, Rocco Filippini, Camerata Strumentale di S.Cecilia, Orchestra Filarmonica Marchigiana, I Musici, Coro dei Monaci Abbazia di Montecassino, Michele Campanella, Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, fone Ensemble, Orchestra da Camera del Festival Internazionale di Brescia e Bergamo, I Filarmonici di Roma, Charles Rosen

Salvatore Accardo, Marco Fornaciari, Uto Ughi, Myung-Wung Chung, Agostino Orizio, Leone Magiera, Daniele Callegari, Stefano Concordia

Laura Gorna, Raina Kabaivanska, Mariella Devia, Nikita Magaloff

In the world of classical music recording, fonè has for almost thirty years been using advanced techniques, aimed at re-creating the atmosphere of the original performance. Each new recording is the result of an enthusiastic encounter between the art of performance and the art of recording, and aims to reproduce the spirit with which works of the past were executed. 
One basic feature, which determines the difference between fonè and other record companies, is the recording of performances in their natural spaces, that is in the places where they were originally presented. This leads to a constant search for suitable locations, and the choice of churches, theatres, country mansions, drawing rooms and so on. The recordings are carried out with the utmost simplicity, the only way not to do violence to the music: all the equipment is high fidelity; use is made of valve-type paired microphones manufactured in the years  1947 and 1949 (U47, U48 and M49) with an extremely natural and transparent timbre and a bi-microphonic field effect; these microphones have a very important history: they were used to record the Beatles at the Abbey Road Studio and by the RCA for the “Living Stereo” recordings.
No use is made of electronic manipulation or artificial correction of the signal, which while making sound easier to realise also render it unacceptably unnatural. With this method, the musical information can be transferred to the analogue standard (for Lp virgin vinyl 180gr. and 200gr.), to the digital standard DSD-SACD (for Super Audio CD) and to the new digital standard DSD-Signoricci (for the Signoricci CD). fonè uses for the analogue standard Nagra 4S, Studer C37 and J37 and Ampex ATR 102 machines; for the digital standard, in collaboration with Philips the latest DSD (Direct Stream Digital) technology, that has opened the doors to SACD. For all successive stages of elaboration and control where replay is required, highly sophisticated systems of musical recording are used.

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Salvatore Accardo

Salvatore Accardo; born September 26, 1941 in Turin, northern Italy) is an Italian violin virtuoso and conductor.Accardo studied violin in the southern Italian city of Naples in the 1950s. He gave his first professional recital at the age of 13 performing Paganini's Capricci. In 1956 Accardo won the Geneva Competition and in 1958 became the first prize winner of the Paganini Competition in Genoa.
He has recorded Paganini's 24 Caprices (re-recorded in 1999) for solo violin and was the first to record all six of the Paganini Violin Concertos. He has an extensive discography of almost 50 recordings on Philips, DG, EMI, Sony Classical, Foné, Dynamic, and Warner-Fonit. Notably, he has recorded an album of classical and contemporary works in 1995 on Paganini's Guarneri del Gesù 1742 violin, the "Canon".
Accardo founded the Accardo Quartet in 1992 and he was one of the founders of the Walter Stauffer Academy in 1986. He founded the Settimane Musicali Internazionali in Naples and the Cremona String Festival in 1971, and in 1996, he re-founded the Orchestra da Camera Italiana (O.C.I.), whose members are the best pupils of the Walter Stauffer Academy. He performed the music of Paganini for the soundtrack of the 1989 film Kinski Paganini. In the 1970s he was a member of the celebrated Italian chamber orchestra "I Musici".
Accardo owns one Stradivarius violin, the "Hart ex Francescatti" (1727) and had the "Firebird ex Saint-Exupéry" (1718).



Marco Fornaciari

Marco Fornaciari , Livorno , began studying the violin in his city with Maestro Chiti continuing then at the Accademia Chigiana with masters Accardo , Brengola and Gulli . Later he graduated with distinction in the class of Maestro Romano at the Geneva Conservatory . She has performed as a soloist in the most prestigious concert halls : La Scala , Mozarteum , Felsenreitschule , Salle Pleyel , Academy of St. Petersburg , Tchaikovsky Hall , Bunka Kaikan , Suntory Hall , Sydney Opera House , the Musikverein , Lincoln Center recording often in direct to many broadcasters . He has recorded music by Beethoven , Bartok , Fauré , Ravel , Schumann , Schoenberg , Vivaldi for record companies Erato , Naxos and Foné , for which he has completed the only complete recording ( six CDs ) of more than 80 compositions by Paganini Violin and Guitar.

Rocco Filippini

Son of Felice Filippini (painter, writer and broadcaster) and of the pianist Dafne Salati, Rocco Filippini began his musical training at an early age. Of decisive importance was his meeting with Pierre Fournier who became his teacher along with Professor Franz Walter of the Geneva Conservatory. It was from the Geneva Conservatory that Rocco Filippini received his diploma at the age of 17, being awarded the Premier Prix de Virtuosité, an accolade not given for the previous 36 years. He continued to perfect his playing with his teachers, who came to include the violinist Corrado Romano. At the age of 23 he won the Geneva International Music Competition and embarked on his performing career.

With a wide musical repertory, from Baroque to contemporary works, Rocco Filippini has played in the main concert halls of Europe, North and South America, Australia and Japan, and at numerous well-known festivals. In 1968 with Bruno Canino and Cesare Ferraresi he founded the Trio di Milano, which was subsequently joined by the violinistMariana Sîrbu. He was a founder member In 1992 of the Quartetto Accardo. He has performed in numerous concerts at the La Scala theatre in Milan, where he has played in recitals with cello and piano, performed the György Ligeti concerto with the Scala Philarmonic Orchestra, and taken part in many chamber music concerts, often in association with Maurizio Pollini, with whom he has performed concert programmes for several jears in Rome, London, Tokyo and New York, and at the Rossini Opera Festival in Pesaro and Salzburg festivals. At the Salzburg Festival in 2002 he premièred Fabio Vacchi’s Tre Veglie, with Anna Caterina Antonacci, accompanied by theOrchestre de Paris conducted by Ivan Fischer.

Mariella Devia

Mariella Devia (Chiusavecchia, April 12, 1948) is an Italian soprano.
She studied with Yolanda Magnoni and obtained a diploma in singing at the Conservatorio Santa Cecilia in Rome. In 1972 she made his debut in Treviso in Così fan tutte, and won in 1973 won the "Toti dal Monte".
Her career takes place mainly in Italy, but also reaching major opera houses of foreigners playing major roles soprano-light (from the Queen of the Night in La Sonnambula and Lucia di Lammermoor), supporting roles Rossini (Amenaide, Fiorilla, The Comte Ory, Zelmira and Semiramide), different roles (Lodoïska, Giulietta in I Capuleti ei Montecchi and Joan of Arc in the opera by Verdi) and roles inaccessible (Donna Anna in Don Giovanni). Excels in the interpretation of La Traviata and Lucia di Lammermoor, a role she played for the first time in 1973 in Treviso and for the last time in 2006 at the Teatro alla Scala in Milan. Debuted March 24, 2007 in Anna Bolena at the Verona Philharmonic in a virtually complete version of the work. In February 2008 she gave a masterful interpretation of Donizetti's Mary Stuart at the Teatro alla Scala in Milan, in a production by Pier Luigi Pizzi under the direction of Antonino Fogliani. In 2011 she made his debut as Elizabeth I in Roberto Devereux at the Opéra de Marseille, proving to be the ideal interpreter of the trilogy of Donizetti's queens. In the 2013 season has announced its debut in Norma at the Teatro Comunale di Bologna.

I Musici

In 1951, twelve young and promising italian musicians, mainly roman and mostly graduates of the at the Accademia di Santa Cecilia in Rome, got together "inter pares" to create a unique chamber orchestra comprising six violins, two violas, two cellos, one double bass and one harpsichord.
They chose the simple, yet nice, name I MUSICI and they deliberately decided to shape the ensemble without conductor. They did so in order to create an egalitarian relationship among the twelve colleagues and friends, which would bring to their music-making a unanimity on technical and interpretative questions. It was a very unconventional but unexpectedly suitable procedure. Notably, maestro Arturo Toscanini, on hearing them rehearsing in April 1952 at the Italian Radio studios, enthused over the young orchestra in front of journalists and musical personalities, and dedicated his photograph to the group with the words “bravi, bravissimi …no! la musica non muore”, (bravo, the music will not die).
A few weeks earlier, on the 30th of March 1952, their public debut was an enormous success at the Accademia di Santa Cecilia in Roma; it was the starting point of an astonishing career, which in a schort time catapulted them among the ranks of the great international performers.
During the course of the years, the musicians have changed, the original members of the group retired but, together with the younger talent that has taken their place, there has always been a generation of “historic” members present who guarantee the tradition and continuity of the orchestra.
At present I Musici are regular guests at the most important international festivals and they carry out an intense concert activity in prestigious theatres and concert halls such as: “G Enescu” International Festival in Bucharest, Colon Theatre in Buenos Aires, Carnegie Hall and Lincoln Centre in New York, the “Spring Festival” in Budapest, Sunthory Hall and Opera City in Tokyo, the Musikverein in Vienna, the Philharmonie in Berlin, Palau de la Musica in Barcelona, Seoul Arts Centre, Boston Symphony Hall, Shanghai Concert Hall, Beijing National centre for the Performing Arts and numerous others.


Michele Campanella

Internationally acclaimed as one of the major virtuoso interpreters of Liszt, three-time winner of the Grand Prix du Disque awarded by the prestigious Franz Liszt Academy in Budapest (1976, 1977 and 1998), the latter for his recording “Franz Liszt-The Great Transcriptions, I-II” (Philips), Michele Campanella has interpreted in over 45 years of career most of the major piano repertoire. He has been awarded the “Liszt high merit” medal by the Hungarian government in 1986 and the American Liszt Society Medal in 2002. Trained at the Vincenzo Vitale School in Naples, Michele Campanella is a very versatile artist. This has enabled him to perform the works of composers like Clementi, Weber, Poulenc, Busoni (1980 “Italian Discographic Critic Award” for his Fonit Cetra recordings), Rossini, Brahms, Ravel and Liszt. Mr. Campanella has performed with the principal European and American orchestras (Philadelphia Orchestra, Chicago Symphony, San Francisco Symphony) and collaborated with conductors such as Claudio Abbado, Gianluigi Gelmetti, Eliahu Inbal, Charles Mackerras, Zubin Mehta, Riccardo Muti, Georges Prêtre, Esa-Pekka Salonen, Wolfgang Sawallisch, Thomas Schippers, Hubert Soudant, Pinchas Steinberg and Christian Thielemann. He is frequently invited to Australia, Russia, the United Kingdom, Argentina, China, as well as being a regular guest at international festivals such as Lucerne, Vienna, Berlin, Prague and Pesaro (Rossini Opera Festival). Recent performance highlights include all Beethoven and Mozart concertos as well as the complete piano works by Brahms. Together with Salvatore Accardo and Rocco Filippini he established an ideal musical partnership during the 1990’s for the chamber music repertoire. In the last years, Campanella’s career as conductor/soloist has been further developed performing with several prestigious Italian orchestras, such as the Accademia Nazionale di Santa Cecilia Orchestra in Rome, the ORT-Orchestra della Toscana, the Orchestra da Camera di Padova e del Veneto, I Filarmonici di Verona, the Haydn Orchestra of Bolzano and Trento. His repertoire includes works by Ravel, Fauré, Poulenc, Franck, Saint-Saëns, Schumann, Weber, Liszt, alongside Mozart and Beethoven. A dedicated and passionate teacher, Campanella was head of the piano department at the Accademia Chigiana (Siena) from 1986 to 2010, as well as conducting advanced training courses for eight years in Ravello. He is the director of the Vincenzo Vitale Center for Piano Studies at the University Suor Orsola Benincasa of Naples. He has been celebrated by the prestigious “Premio Napoli” and “Guido e Roberto Cortese” foundations. He is also a member of the Accademia di Santa Cecilia, Accademia Filarmonica Romana and Accademia Cherubini di Firenze. For nine years he has been artistic director of three different concert seasons sponsored by the Naples, Benevento and Catanzaro Universities. He has recently been nominated artistic director of the “Maggio della Musica” festival in Naples. Since 2008 he has been President of the “Società Liszt”, the Italian chapter of the American Liszt Society. In 2011, as the world celebrated the bicentenary of Franz Liszt's birth, Campanella dedicated his entire musical activity, both as pianist and conductor, to the Hungarian composer he studied and loved from the age of fourteen, engaging himself in a long series of solo concerts in Italy and abroad: Accademia Nazionale di Santa Cecilia (Rome), Unione Musicale (Turin), Cini Foundation (Venice) for the Wagner Society, Verdi Conservatoire (Milan), San Carlo Theatre Naples), Accademia Musicale Chigiana (Siena), L’Aquila, Piacenza, Cremona, Udine and Parma. As a part of the prestigious Ravenna Festival, acting as conductor/soloist together with the Luigi Cherubini Orchestra, Campanella performed in one single evening the complete Liszt piano and orchestra compositions. His most important international engagements included concerts in Buenos Aires, Tokyo (Tokyo Suntory Hall) and Chicago, where Campanella gave three performances of the Liszt Concerto No.1 for piano and orchestra together with Riccardo Muti and the Chicago Symphony Orchestra as part of the Liszt bicentenary celebrations. In collaboration with the Accademia Nazionale di Santa Cecilia and the Accademia Musicale Chigiana, Campanella conceived and directed a series of Liszt marathons where the composer's complete piano works were performed in Rome's Parco Della Musica. A project of this magnitude (including the participation of seventy five Italian pianists) generated great interest since nothing of the kind had ever before been attempted. In addition to his work as a musician, Campanella is also a writer. In 2011 Bompiani published his book “Il mio Liszt. Considerazioni di un interprete”. The book is a literary homage dedicated to Campanella's beloved composer. In 2012 Campanella was awarded the prestigious prizes Premio Scanno and Premio Grotta di Tiberio for musical performance. photo: Andrea La Marca

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Traditional, Biber, Vivaldi, Haydn, Mendelssohn, Mozart, Chopin, Rota, Massenet, Puccini

Orchestra da Camera Italiana, Rocco Filippini, Camerata Strumentale di S.Cecilia, Orchestra Filarmonica Marchigiana, I Musici, Coro dei Monaci Abbazia di Montecassino, Michele Campanella, Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, fone Ensemble, Orchestra da Camera del Festival Internazionale di Brescia e Bergamo, I Filarmonici di Roma, Charles Rosen

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